On April 5, 1933, it will be performed at the Cultural Theater Club (Anfístora) to which Federico had been associated and which was directed by Pura Maortua de Ucelay. On December 1, 1933, in Buenos Aires, at the Teatro Avenida, with Lola Membrives as Shoemaker. The sets were to be designed by Manuel Fontanals. This is a more complete version than the one staged by Margarita Xirgu, with which Lorca was to be happier, as it incorporates the music and songs that he personally supervised, as well as some extended dialogue. The play was to be a success in Buenos Aires.