In an interview signed by Nicolás González-Deleito published in the Madrid magazine Escena, in May 1935, he evokes his leisurely way of writing: “It took me five years to write Blood wedding; three I invested in Yerma… Both works are the fruit of reality. Their figures are real; as is the theme of each of them… First note, observations taken from life itself, from the newspaper at times… Then, thinking about the subject. A long, constant, detailed thought. And finally, the final transfer: from the mind to the stage…”.