There are no traces of the original manuscript. The most important modern editions will be those of Guillermo de Torre, in Losada, in 1938 (which follows an actor’s copy of the company of Margarita Xirgu), that of Arturo del Hoyo in Aguilar, in 1954, and of Luis Martínez Caritiño in Espasa-Calpe, in the Austral collection, in 1992.