{"id":7747,"date":"2021-08-05T10:12:22","date_gmt":"2021-08-05T10:12:22","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/tea_03-92\/"},"modified":"2021-10-20T06:51:01","modified_gmt":"2021-10-20T06:51:01","slug":"tea_03-92","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/tea_03-92\/","title":{"rendered":"TEA_03-92"},"content":{"rendered":"<p><a href=\"https:\/\/www.universolorca.com\/en\/personaje\/garcia-lorca-francisco\/\">Francisco Garc\u00eda Lorca<\/a>, in analyzing the idiosyncrasy of the two towns where his brother Federico spent his childhood, dares to make the following judgment: &#8220;Without giving too rigorous an interpretation to what I am going to say, <em>La zapatera prodigiosa (The Shoemaker\u2019s Prodigious Wife)<\/em> could be the literary projection of the character of Fuente Vaqueros and <em>La casa de Bernarda Alba (The House of Bernarda Alba)<\/em>, in Valderrubio&#8221;.<\/p>\n","protected":false},"template":"","class_list":["post-7747","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7747"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}