{"id":7744,"date":"2021-08-05T10:12:20","date_gmt":"2021-08-05T10:12:20","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/tea_03-91\/"},"modified":"2021-10-20T06:48:45","modified_gmt":"2021-10-20T06:48:45","slug":"tea_03-91","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/tea_03-91\/","title":{"rendered":"TEA_03-91"},"content":{"rendered":"
\"Figurine<\/a>
Figurine drawn by Federico Garc\u00eda Lorca for The Prodigious Shoemaker’s Wife \/ Photo: FGL Foundation.<\/figcaption><\/figure>\n

Finished in 1924, he shows it in November of that year to Mart\u00ednez Sierra and is convinced that he will premiere it, since Catalina B\u00e1rcena<\/a> will have a great role in La Zapatera (The Shoemaker\u2019s Wife)<\/em> . In March 1925, Mart\u00ednez Sierra<\/a> is still committed to premiering the play, but in the provinces, to see the reaction of the public. Federico is going to try to do it in Madrid. Meanwhile the problem of Primo de Rivera’s censorship also arose with Mariana Pineda<\/em><\/a>. It would not premiere until December 24, 1930, at the Teatro Espa\u00f1ol (Spanish Theater) in Madrid, directed by Cipriano Rivas Cherif<\/a> and starring Margarita Xirgu<\/a>.<\/p>\n","protected":false},"template":"","class_list":["post-7744","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7744"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}