{"id":7708,"date":"2021-08-05T10:11:59","date_gmt":"2021-08-05T10:11:59","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/poe_10-65\/"},"modified":"2021-10-18T12:39:26","modified_gmt":"2021-10-18T12:39:26","slug":"poe_10-65","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/poe_10-65\/","title":{"rendered":"POE_10-65"},"content":{"rendered":"<p><em>Suites<\/em> was the definitive title of the book, although Federico once considered <em>Cielo bajo (Low Sky)<\/em> (possibly alluding to the landscape of the <a href=\"https:\/\/www.turgranada.es\/en\/fichas\/albaicin-16626\/\" target=\"_blank\" rel=\"noopener\">Albaic\u00edn<\/a> seen from <a href=\"https:\/\/www.turgranada.es\/en\/fichas\/la-alhambra-16621\/\" target=\"_blank\" rel=\"noopener\">the Alhambra<\/a>). Lorca also considered the possibility of calling it <em>Libro de las diferencias (Book of Differences)<\/em> because of the musical variations or &#8220;differences&#8221; similar to those of vihuelists such as Antonio Cabez\u00f3n, Luis Mil\u00e1n and Alfonso Mudarra (thus appearing in Gerardo Diego&#8217;s 1932 anthology).<\/p>\n","protected":false},"template":"","class_list":["post-7708","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7708"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}