{"id":7691,"date":"2021-08-05T10:11:48","date_gmt":"2021-08-05T10:11:48","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/poe_06-50\/"},"modified":"2021-10-18T11:51:40","modified_gmt":"2021-10-18T11:51:40","slug":"poe_06-50","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/poe_06-50\/","title":{"rendered":"POE_06-50"},"content":{"rendered":"

The poems Escena del teniente coronel de la Guardia Civil (Scene of the Lieutenant Colonel of the Civil Guard)<\/em> and the Canci\u00f3n del gitano apaleado (Song of the Beaten Gypsy)<\/em>\u00a0emanae from real situations. In Granada, conflicts between Gypsies and Civil Guard (Spanish Police) were frequent. In November 1919, Lorca, accompanied by Manuel \u00c1ngeles Ortiz<\/a>, witnessed one of these clashes in the center of the city and was very shocked.<\/p>\n

These poems starring gypsies and the Civil Guard would later bring him some problems with the Civil Guard, even being denounced years later by a stranger and having to answer and explain his poems before a judge.<\/p>\n

He also knew the fear and omniscient power that the guards exercised in the villages when he visited the Alpujarra<\/a> in 1927 after accompanying his mother to enjoy the curative waters at the Lanjar\u00f3n spa<\/a>.<\/p>\n","protected":false},"template":"","class_list":["post-7691","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7691"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}