{"id":7687,"date":"2021-08-05T10:11:46","date_gmt":"2021-08-05T10:11:46","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/poe_06-48\/"},"modified":"2021-09-07T07:58:11","modified_gmt":"2021-09-07T07:58:11","slug":"poe_06-48","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/poe_06-48\/","title":{"rendered":"POE_06-48"},"content":{"rendered":"<p>This work demonstrates his debt to <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/falla-matheu-manuel-de\/\">Falla<\/a>, with whom he collaborated closely during these years in Granada, researching popular types of music and literature. He is also indebted to the compilations of couplets by Francisco Rodr\u00edguez Mar\u00edn, Antonio Machado \u00c1lvarez and other folklorists, as well as to the Arab, Persian and Turkish poetry of the 19th century compiled by Gaspar Mar\u00eda de Nova \u00c1lvarez. In addition to this is the &#8220;poetic memory&#8221; of his childhood in the Vega in Granada. The summer of 1921 in <a href=\"https:\/\/www.universolorca.com\/en\/lugar\/casa-familiar-de-valderrubio\/\">Asquerosa (Disgusting)<\/a> he learned to play the guitar.<\/p>\n","protected":false},"template":"","class_list":["post-7687","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7687"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}