{"id":7652,"date":"2021-08-05T10:11:26","date_gmt":"2021-08-05T10:11:26","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/tea_08-18\/"},"modified":"2021-08-05T10:11:26","modified_gmt":"2021-08-05T10:11:26","slug":"tea_08-18","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/tea_08-18\/","title":{"rendered":"TEA_08-18"},"content":{"rendered":"<p>Lorca defined his rural tragedy in this way: &#8220;<em>Yerma<\/em> is a body of typical tragedy that I have dressed in modern clothes; it is, above everything else, the image of fertility punished by sterility. A soul which destiny has targeted as a victim of the infertile. In fact, I wanted to make the living poem of infertility, using the dead line of the infertile. And it is from there, from the opposite of the sterile and the life-giving, that I draw the tragic profile of the play (&#8230;). Yerma is my fourth play. And I couldn\u2019t feel more disappointed than if people thought that my theatrical work culminated in any of the titles already known&#8221;. (Interview by Alfredo Mu\u00f1iz in <em>El Heraldo de Madrid<\/em> on December 26, 1934).<\/p>\n","protected":false},"template":"","class_list":["post-7652","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7652"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}