{"id":7627,"date":"2021-08-05T10:11:10","date_gmt":"2021-08-05T10:11:10","guid":{"rendered":"https:\/\/www.universolorca.com\/vinculo-obra-literar\/tea-00_05\/"},"modified":"2021-10-19T11:30:57","modified_gmt":"2021-10-19T11:30:57","slug":"tea-00_05","status":"publish","type":"vinculo_obra_literar","link":"https:\/\/www.universolorca.com\/en\/vinculo-obra-literar\/tea-00_05\/","title":{"rendered":"TEA 00_05"},"content":{"rendered":"
\"Rafael<\/a>
Rafael Barradas. Figurine for The Butterfly\u2019s Evil Spell.1920. Photo: Huerta de San Vicente (San Vicente Farmhouse)<\/figcaption><\/figure>\n

Barradas’ costumes did not exactly help to mitigate the effect of the play’s dialogues that provoked hilarity among the Eslava Theater audience. Catalina B\u00e1rcena<\/a>, the Se\u00f1ora Cucaracha (Mrs. Cockroach), appeared on stage with her legs girded by a black leotard, a patent leather chapstick, with a round helmet on her head with two little twisted feathers on the sides. When it was her turn to exclaim “but what do I have on my head?”, a joker from the audience answered: “Two little horns”. La Argentinita’s<\/a> characterization as a Butterfly did not help to save the show either.<\/p>\n","protected":false},"template":"","class_list":["post-7627","vinculo_obra_literar","type-vinculo_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar\/7627"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/vinculo_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/vinculo_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}