{"id":10773,"date":"2021-09-20T06:45:13","date_gmt":"2021-09-20T06:45:13","guid":{"rendered":"https:\/\/www.universolorca.com\/biography-of-federico-garcia-lorca\/the-man-of-bewitched-love-1921\/"},"modified":"2021-09-20T08:07:57","modified_gmt":"2021-09-20T08:07:57","slug":"the-man-of-bewitched-love-1921","status":"publish","type":"page","link":"https:\/\/www.universolorca.com\/en\/biography-of-federico-garcia-lorca\/the-man-of-bewitched-love-1921\/","title":{"rendered":"The Man of Bewitched Love (1921)"},"content":{"rendered":"

In 1920, Federico Garc\u00eda Lorca met one of the creative geniuses who fascinated him the most: Manuel de Falla<\/a>, who had just arrived in Granada in search of refuge and peace to compose. The friendship with Falla was very fruitful. Lorca resumed his vocation for music.<\/p>\n

In 1917, the family had moved temporarily, and for only one year, to Gran V\u00eda<\/a>. The period coincided with Lorca’s last study trips with the group of Mart\u00edn Dom\u00ednguez Berrueta<\/a> and the extended stay in Burgos.<\/p>\n

\"Federico<\/a>
Federico Garc\u00eda Lorca (first from the left) on a trip to Guadix with Manuel de Falla (second from the right) and other friends. \/ Photo: FGL Foundation<\/figcaption><\/figure>\n

On their return, the family moved to a rented apartment on the second and third floors of the Acera del Casino<\/a>, where they remained until 1933, when they moved to Madrid.<\/p>\n

Falla’s friendship served for Lorca to bring together popular aesthetics and cultures with traditions and the avant-garde.<\/p><\/blockquote>\n

In that house, on January 6, 1923, a puppet show was organized that would go down in history. The excuse was a gift from Federico to his younger sister Isabel<\/a>. Lorca had long wanted to recover the old puppet theater, but the performance transcended that idea as well. It was the antecedent of the premiere, in June of that year, but in Paris, of Master Peter\u2019s Puppet Show<\/em> by Manuel de Falla, based on a chapter of Don Quixote<\/em>. On that day, the entr\u00e9es The Two Talkers<\/em>, The Mystery of the Three Wise Men\u00a0<\/em>and The Girl Who Waters the Basil and the Inquisitive Prince<\/em> were performed.<\/p>\n

Falla’s friendship served for Lorca to bring together popular aesthetics and cultures with traditions and the avant-garde, one of the endeavors that appears in many of his works.<\/p>\n","protected":false},"excerpt":{"rendered":"

In 1920, Federico Garc\u00eda Lorca met one of the creative geniuses who fascinated him the most: Manuel de Falla, who had just arrived in Granada in search of refuge and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":10640,"menu_order":64,"comment_status":"closed","ping_status":"closed","template":"page-biografia.php","meta":{"footnotes":""},"class_list":["post-10773","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10773"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/comments?post=10773"}],"version-history":[{"count":2,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10773\/revisions"}],"predecessor-version":[{"id":10877,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10773\/revisions\/10877"}],"up":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10640"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=10773"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}