{"id":10763,"date":"2021-09-20T06:44:28","date_gmt":"2021-09-20T06:44:28","guid":{"rendered":"https:\/\/www.universolorca.com\/biography-of-federico-garcia-lorca\/argentinean-transcendence-1933\/"},"modified":"2021-09-20T06:58:06","modified_gmt":"2021-09-20T06:58:06","slug":"argentinean-transcendence-1933","status":"publish","type":"page","link":"https:\/\/www.universolorca.com\/en\/biography-of-federico-garcia-lorca\/argentinean-transcendence-1933\/","title":{"rendered":"Argentinean Transcendence (1933)"},"content":{"rendered":"<p>In the summer of 1933, while Federico Garc\u00eda Lorca continued to tour with <a href=\"https:\/\/www.universolorca.com\/en\/biografia\/a-lomos-de-la-barraca\/\">La Barraca<\/a>, <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/bodas-de-sangre-tragedia-en-tres-actos-y-siete-cuadros\/\"><em>Blood Wedding<\/em><\/a> was premiered in Montevideo and Buenos Aires by the company of <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/membrives-fernandez-lola\/\">Lola Membrives<\/a>. The reception was of such magnitude that the producer invited him to move to America, direct a new staging and deliver several lectures before an expectant and devoted audience.<\/p>\n<blockquote><p>His trip to Buenos Aires revealed to him the true dimension of his literature in Latin America.<\/p><\/blockquote>\n<figure id=\"attachment_4874\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 634px\"><a href=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10764 size-full\" src=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04.jpg\" alt=\"Federico Garc\u00eda Lorca reciting at the Avenida Theater in Buenos Aires. \/ Photo: FGL Foundation\" width=\"624\" height=\"385\" srcset=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04.jpg 624w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04-300x185.jpg 300w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04-200x123.jpg 200w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04-330x204.jpg 330w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/PRO_02_04-608x375.jpg 608w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/><\/a><figcaption class=\"caption wp-caption-text\">Federico Garc\u00eda Lorca reciting at the Avenida Theater in Buenos Aires. \/ Photo: FGL Foundation<\/figcaption><\/figure>\n<p>Lorca did not hesitate. On September 29, aboard the Conte Grande, he left for Buenos Aires in the company of set designer Manuel Fontanals. After two stopovers in Rio de Janeiro and Montevideo, they arrived in Argentina on October 13. Between that month and March 1934 Lorca directed, in addition to <em>Blood Wedding<\/em>, two of his most Granada plays, <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/mariana-pineda\/\"><em>Mariana Pineda<\/em><\/a> and <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/la-zapatera-prodigiosa-farsa-violenta-en-dos-actos\/\"><em>The Shoemaker\u2019s Prodigious Wife<\/em><\/a> and an adaptation of <em>The Puppet Play of Don Crist\u00f3bal<\/em>.<\/p>\n<p>After setting foot in South America, he was astonished to see how popular he was in Argentina. If the trip to New York in 1929 was for the poet the discovery of the modern city that left such a mark on his work, the Buenos Aires trip revealed the true dimension of his literature in Latin America. Lorca gave numerous interviews and read and performed at the piano the lecture <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/como-canta-una-ciudad-de-noviembre-a-noviembre\/\"><em>How a city sings from November to November<\/em><\/a>. With <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/neruda-pablo-ricardo-eliecer-neftali-reyes-basoalto\/\">Pablo Neruda<\/a>, then Chilean consul in Argentina, he read the famous two-part lecture <em>Joint Talk about <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/dario-ruben-felix-ruben-garcia-sarmiento\/\">Rub\u00e9n Dar\u00edo<\/a><\/em>.<\/p>\n<figure id=\"attachment_7244\" class=\"thumbnail wp-caption aligncenter\" style=\"width: 810px\"><a href=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7244 size-full\" src=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano.jpg\" alt=\"Federico Garc\u00eda Lorca playing the piano.\" width=\"800\" height=\"1096\" srcset=\"https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano.jpg 800w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-219x300.jpg 219w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-768x1052.jpg 768w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-747x1024.jpg 747w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-200x274.jpg 200w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-330x452.jpg 330w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-274x375.jpg 274w, https:\/\/www.universolorca.com\/wp-content\/uploads\/2019\/01\/RETRATO_OLD_Lorca-tocando-el-piano-328x450.jpg 328w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><figcaption class=\"caption wp-caption-text\">Federico Garc\u00eda Lorca playing the piano. \/ Photo: FGL Foundation<\/figcaption><\/figure>\n<p><em>Blood Wedding<\/em> reached 150 performances in Buenos Aires, which brought him an income that made him financially independent for the first time ever. In Montevideo he met up again with his friends <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/mora-guarnido-jose\/\">Jos\u00e9 Mora Guarnido<\/a>, a member of <a href=\"https:\/\/www.universolorca.com\/en\/lugar\/el-rinconcillo\/\">El Rinconcillo<\/a>, and <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/diez-canedo-enrique\/\">Enrique D\u00edaz-Canedo<\/a>, then ambassador of Spain in Uruguay.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the summer of 1933, while Federico Garc\u00eda Lorca continued to tour with La Barraca, Blood Wedding was premiered in Montevideo and Buenos Aires by the company of Lola Membrives. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":10640,"menu_order":79,"comment_status":"closed","ping_status":"closed","template":"page-biografia.php","meta":{"footnotes":""},"class_list":["post-10763","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10763"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/comments?post=10763"}],"version-history":[{"count":1,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10763\/revisions"}],"predecessor-version":[{"id":10798,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10763\/revisions\/10798"}],"up":[{"embeddable":true,"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/pages\/10640"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=10763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}