{"id":7276,"date":"2021-07-29T08:18:54","date_gmt":"2021-07-29T08:18:54","guid":{"rendered":"https:\/\/www.universolorca.com\/estreno-obra-literar\/poe_08-24\/"},"modified":"2021-10-18T12:01:04","modified_gmt":"2021-10-18T12:01:04","slug":"poe_08-24","status":"publish","type":"estreno_obra_literar","link":"https:\/\/www.universolorca.com\/en\/estreno-obra-literar\/poe_08-24\/","title":{"rendered":"POE_08-24"},"content":{"rendered":"<p>The most important modern editions are those of Mario Hern\u00e1ndez, in Alianza (together with <em>First Songs<\/em>), of 1981, and that of Andrew A. Anderson, in Espasa-Calpe (with <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/divan-del-tamarit\/\"><em>Divan del Tamarit<\/em><\/a> and <a href=\"https:\/\/www.universolorca.com\/en\/obra-literaria\/llanto-por-ignacio-sanchez-mejias\/\"><em>Lament for a bullfighter<\/em><\/a>), of 1988. The N\u00f3s edition was the basis for the later ones, but given the suspicion of excessive intervention by Blanco-Amor, some editors also checked with the manuscripts.<\/p>\n","protected":false},"template":"","class_list":["post-7276","estreno_obra_literar","type-estreno_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar\/7276"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/estreno_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}