{"id":7240,"date":"2021-07-29T08:11:15","date_gmt":"2021-07-29T08:11:15","guid":{"rendered":"https:\/\/www.universolorca.com\/estreno-obra-literar\/tea-00_09\/"},"modified":"2021-10-19T11:20:39","modified_gmt":"2021-10-19T11:20:39","slug":"tea-00_09","status":"publish","type":"estreno_obra_literar","link":"https:\/\/www.universolorca.com\/en\/estreno-obra-literar\/tea-00_09\/","title":{"rendered":"TEA 00_09"},"content":{"rendered":"

Garc\u00eda Lorca’s first dramatic work premiered at the Eslava Theater in Madrid on March 22, 1920, and only withstood four performances (or two according to other sources) due to the vehement rejection by the audience who tore it apart. At the theater door, according to Jos\u00e9 Mora Guarnido<\/a>, there were even exchanges of blows between the detractors and the friends that Federico had recruited among the rinconcillistas who lived in Madrid and the companions of the Residencia de Estudiantes. The play was part of the Teatro del Arte program promoted at the Eslava by Gregorio Mart\u00ednez Sierra<\/a> and his wife Mar\u00eda de la O Lej\u00e1rraga.<\/p>\n

The comedy, by the playwright Mart\u00ednez Sierra, was performed by the actress Catalina B\u00e1rcena<\/a>, in the role of Curianito El Nene, while the Butterfly was played by a young woman\u00a0Encarnaci\u00f3n L\u00f3pez J\u00falvez, La Argentinita<\/em><\/a>, with whom Federico had a close personal and artistic relationship until her death in 1936. The sets were designed by the Uruguayan set designer Rafael P\u00e9rez Barradas. However, Gregorio Mart\u00ednez Sierra believed them to be too daring and commissioned them to film and theater director Fernando Mignoni Monticelli. Barradas, however, designed the costumes. The music chosen was incidental pieces by Norwegian composer Edward Grieg instrumentalized by Jos\u00e9 Luis Lloret.<\/p>\n

\"El<\/a><\/p>\n

The comedy, finished by Lorca in a hurry at the request of Mart\u00ednez Sierra, was initially entitled the playwright Infamous comedy<\/em> and then The star of the meadow<\/em>, names that Mart\u00ednez Sierra rejected. According to Mora Guarnido, it was the producer himself who gave it the final title on his own, due to Lorca’s doubts and the proximity of the premiere.<\/p>\n

Perhaps because the original piece that is preserved is incomplete, this one was excluded from the first Complete Works<\/em> and then added, but not in the volume of dramatic work but in another complementary Work disclosed<\/em>. In 2020, a new edition prepared by V\u00edctor Fern\u00e1ndez appeared in the Debolsillo publishing house.<\/p>\n","protected":false},"template":"","class_list":["post-7240","estreno_obra_literar","type-estreno_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar\/7240"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/estreno_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}