{"id":7239,"date":"2021-07-29T08:07:47","date_gmt":"2021-07-29T08:07:47","guid":{"rendered":"https:\/\/www.universolorca.com\/estreno-obra-literar\/tea_04-9\/"},"modified":"2021-10-20T07:05:53","modified_gmt":"2021-10-20T07:05:53","slug":"tea_04-9","status":"publish","type":"estreno_obra_literar","link":"https:\/\/www.universolorca.com\/en\/estreno-obra-literar\/tea_04-9\/","title":{"rendered":"TEA_04-9"},"content":{"rendered":"

In the fall of 1932, Pura Maortua de Ucelay<\/a>, director of the Club Teatral de Cultura Anfistora (a cultural theater association to which Lorca belonged and which he baptized with this name), managed to rescue a copy of the play and staged a performance on April 5, 1933 at the Teatro Espa\u00f1ol. It was preceded by The shoemaker\u2019s prodigious wife<\/em><\/a>. Lorca directed the rehearsals and staging.<\/p>\n

Performers: Don Perlimpl\u00edn: Santiago Onta\u00f1\u00f3n<\/a>; Belisa: Pilar de Bascar\u00e1n; Marcolfa: Mrs. Dom\u00ednguez; Belisa’s mother: Pilar Gracia; the elves: two children from a family very close to Lorca, Augusto and Andr\u00e9s Higueras. Music by Scarlatti (all the intermissions were linked by Scarlatti’s sonatinas and the dialogues were constantly cut by chords and musical backgrounds), performed on the piano by Pura Lago, scenography by Onta\u00f1\u00f3n and costumes by Pura Ucelay.<\/p>\n","protected":false},"template":"","class_list":["post-7239","estreno_obra_literar","type-estreno_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar\/7239"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/estreno_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7239"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}