{"id":7232,"date":"2021-07-29T08:07:43","date_gmt":"2021-07-29T08:07:43","guid":{"rendered":"https:\/\/www.universolorca.com\/estreno-obra-literar\/poe_01-4\/"},"modified":"2021-10-15T10:55:51","modified_gmt":"2021-10-15T10:55:51","slug":"poe_01-4","status":"publish","type":"estreno_obra_literar","link":"https:\/\/www.universolorca.com\/en\/estreno-obra-literar\/poe_01-4\/","title":{"rendered":"POE_01-4"},"content":{"rendered":"<p>Mora Guarnido himself announced the imminent appearance of the book on July 1, 1921, in the <em>Noticiero Granadino<\/em>. The review did not have much transcendence outside Granada. On July 30 in <em>El Sol<\/em> published in Madrid, the music critic Adolfo Salazar, wrote another review in which he clarified that this was a work of &#8220;transition&#8221;. He highlights the 1920 compositions which are seen to have a &#8220;modern profile&#8221;. Also <a href=\"https:\/\/www.universolorca.com\/en\/personaje\/rivas-de-cherif-cipriano\/\">Cipriano Rivas Cherif<\/a> and Guillermo de Torre wrote reviews of the book, highlighting its pantheism. Torre reproached him for his excessive sentimentalism, but praised his capacity for metaphor.<\/p>\n","protected":false},"template":"","class_list":["post-7232","estreno_obra_literar","type-estreno_obra_literar","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar\/7232"}],"collection":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/estreno_obra_literar"}],"about":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/types\/estreno_obra_literar"}],"wp:attachment":[{"href":"https:\/\/www.universolorca.com\/en\/wp-json\/wp\/v2\/media?parent=7232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}